Joan B Mirviss LTD , New York , USA
ZOOM PANEL DISCUSSION
MARCH 17, 2022 AT 5PM ET
MAKING WAVES WITH THE CELEBRATED ARTIST KONDŌ TAKAHIRO
In celebration of his latest exhibition at Joan B Mirviss LTD, the artist Kondō Takahiro will join us live from Kyoto for an in-depth discussion with a panel of experts. Reflecting on the many aspects of water, Kondō’s latest striking sculptures are masterful explorations of his marbleized clay (nerikomi) technique married with his signature “silver mist” (gintekisai) overglaze. Reimagining clay’s relationship to another classical art form, ink painting, Kondō finds resonance in their shared origins in water. This event brings the artist together in conversation with design historian and curator Glenn Adamson, former Director of the Museum of Arts and Design, New York, museum patron Carol Horvitz, and scholar and curator Joe Earle, formerly of the V&A, MFA Boston, and Japan Society. They will discuss his creative process, the challenges posed by his sculptures, and his fascinating legacy.
KONDŌ TAKAHIRO, artist
GLENN ADAMSON, independent curator based in New York and formerly Director at the Museum of Arts and Design, New York
JOE EARLE, Senior Consultant, Japanese Art, Bonhams
CAROL HORVITZ, art collector and museum patron
Moderated by JOAN MIRVISS
As an artist, Kondō Takahiro (b. 1958) has always been focused on water, especially as a life-giving and spiritual force. However, following the devastating 3.11 Tōhoku earthquake and tsunami, Kondō gained new perspective on the dichotomy of water’s creative and destructive powers. Reflecting on the many aspects of water since then, Kondō has returned in MAKING WAVES to this inherent tension. On some of his smaller table-top forms, the blending of the clay in pooling thin layers of gray and black, set against the white ground, conjures gentle, lapping tides. On larger sculptures, the swirling layers plummet downwards, evoking powerful rapids and crashing waterfalls; additionally, the capping or angled joining of large porcelain sections with clear and black cast-glass punctuated with air bubbles suggest floating seaweed.
Reimagining clay’s relationship to another classical art form, ink painting, Kondō finds resonance in their shared origins in water. His new, extensive use of white clay enhances the contrast with the darker clay elements, and in so doing, heightens the artist’s own understanding of the ‘shape’ of water: “The process of creating these sculptures made me more aware of how water, waves, and waterfalls flow. By incorporating a whiter clay, my work has evolved and been elevated. I feel that I have expressed the subtle and profound beauty of ink painting without using a brush, but by using clay.” (Kondō Takahiro)